Don't Wait Too Long Sheet Music to download and print

Don't Wait Too Long

#Don't Wait Too Long

Don't Wait Too Long by Madeleine Peyroux - Piano/Vocal/Guitar

Don't Wait Too Long by Madeleine Peyroux - Piano/Vocal/Guitar Piano, Vocal and Guitar

Performed by: Madeleine Peyroux: Don't Wait Too Long Digital Sheetmusic - instantly d…(+)

Performed by: Madeleine Peyroux: Don't Wait Too Long Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Adult Alternative~~Standards~~Vocal Jazz
$5.50 5.06 € #Piano, Vocal and Guitar #Madeleine Peyroux #Piano/Vocal/Guitar #Musicnotes

Sunny Skylar: Don't Wait Too Long - voice & other instruments (real book)

Frank Sinatra: Don't Wait Too Long - guitar (chords)

Larry Klein: Don't Wait Too Long for voice, piano and guitar

Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderlineâ™« * Â´Â¨` * â€¢ .Â¸Â¸. â™« Cassandra's vision â™« * Â´Â¨` * â€¢ .Â¸Â¸. â™« I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings meâ€¦. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921767 Composed by Lisa Waites. Christian,Christmas,Easter,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6626013. Published by Servant Song Music and Ministry (A0.921767). I wrote As We Leave because I wanted my congregation to be able to sing an upbeat, justice-focused benedictory Amen with contemporary-sounding music and active lyrics that speak of God being with us out in the world, fuelling us for the work of loving people and restoring our beautiful, broken communities that God so loves. I don't know about your denomination or local church practices, but the section for Choral Amens in the hymnal I use is very limited. So, I composed five different versions of the lyrics, so that you can use this Amen throughout the whole year. The alternative lyrics begin with Advent, then provide words to sing together on Christmas Eve. Next, you can use the Epiphany lyrics throughout that season, and then return to the main lyric for Lent, switching to alternative lyrics for Holy Week, and then finally returning to the main lyric for Ordinary Time. If you are worshipping in a non-liturgical church, that's okay, too - use the standard lyrics all year, or switch things up by using one of the alternative lyrics whenever your Pastor is preaching on the themes mentioned in those verses! For $4.59 US, you are getting five different versions of the piece, and you'll be able to use As We Leave all year long, if you so choose. This is a great value for an Amen you can sing together Sunday after Sunday. The music is set in F Major and the accompaniment is simple enough for beginners and early intermediate accompanists. I've added guitar chords to the score as well as the piano accompaniment, for those who play by chord symbol. A YouTube video with embedded lyrics will also be added soon - so that congregations who are meeting digitally during the pandemic will have something to listen to and to watch as they sing along from home.

Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "needy" by Ariana Grande on piano!<br> <br> With this sheet music, you can play the accompaniment of Ariana Grande's song "needy".<br> "Needy" is a beautiful, calm piece which makes for a great piano ballad!<br> <br> It's an accurate piano arrangement of the full song, including the beautiful string outro.<br> <br> These piano sheets come with a seperate system for the singer, including the song's full lyrics.<br> <br> "needy" is the second track on Ariana Grande's fifth studio album "thank u, next" (released in February 2019).<br> <br> It's a beautiful, calm ballad with an interesting chord progression in the background - which you can play with these piano sheets.<br> <br> Here are the full lyrics to "needy" by Ariana Grande:<br> <br> If you take too long to hit me back<br> I can't promise you how I’ll react<br> But all I can say<br> Is at least I'll wait for you<br> Lately I've been on a roller coaster<br> Tryna get a hold of my emotions<br> But all that I know, is I need you close<br> And I'ma scream and shout for what I love<br> Passionate but I don't give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I'm obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed<br> Sorry if I'm up and down a lot (Yeah)<br> Sorry that I think I'm not enough<br> And sorry if I say sorry way too much<br> You can go ahead and call me selfish (Selfish)<br> But after all this damage I can't help it (Help it)<br> But what you can trust, is I need your touch<br> I'ma scream and shout for what I love<br> Passionate but I don’t give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I’m obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed

Don't Let Me Wait Too Long

#Don't Let Me Wait Too Long

George Harrison: Don't Let Me Wait Too Long - voice, piano or guitar

Drift Away (from "Steven Universe: The Movie") Piano, Voice

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Steven Universe…(+)

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Steven Universe. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
"Drift Away" is a beautiful, melancholic song from "Steven Universe: The Movie"!<br> <br> With this sheet music, you get an accurate, playable piano arrangement of the full song.<br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords.<br> <br> "Steven Universe: The Movie" (2019) takes place between the original Steven Universe TV series and the follow-up, "Steven Universe Future".<br> All parts of the franchise include beautiful pieces of music, and the film was especially praised for its soundtrack.<br> <br> Written by Aimee Mann and the series' creator Rebecca Sugar, "Drift Away" is one of the most melancholic songs from the film's soundtrack.<br> <br> It is performed by Sarah Stiles in her role as Spinel, the film's main antagonist.<br> However, as Spinel tells the story of how she was abandoned in a garden by Pink Diamond and waited for thousands of years, one can't help but feel some empathy for her...<br> <br> "Drift Away" makes for a wonderful piano cover - with this sheet music, you can play it, too!
$4.99 4.59 € #Piano, Voice #Steven Universe #Drift Away #Mario Stallbaumer #SheetMusicPlus